Trying to Impress
Friday, January 27th, 2006    So far, Voxtropolis has been a great experience for me. I’m very new to the “missional” mindset and new mode of thinking, so reading the insight of people like Alex McManus, Sam Radford, Dean Sharp, Roy McClung and various others is very helpful and encouraging. Especially with features like the Café, Voxtropolis facilitates the networking of Christ followers and Kingdom builders. But I’ve started to notice something weird. It’s probably not really even there, and my mind is playing tricks on me.ÂÂ
    When you move into a neighborhood, it seems there’s often a competition between neighbors. One neighbor gets a new car, then a few months later the jealous neighbor down the street drives home in a shiny, new(er) car. One house receives a new paint job, then several other houses quickly put up new siding or apply a new coat of paint. A flowerbed down the street looks like it could be featured in “Better Homes and Gardens,” and suddenly several other neighbors re-landscape, put in a pond, etc. Maybe it’s not as drastic as I make it sound, but we all know it happens. Living in a neighborhood, it seems competition is inevitable.ÂÂ
     But what about the neighborhood in The City of Voices? As followers of Christ, worshipers in Spirit and Truth with God himself as our reality, do we try to impress our “neighbors” with new ideas, fresh insights, hoping we’re the next blog featured on Into the Mystic?  I know, it all sounds very silly. Many people posting their ideas and “insights” are simply wanting to encourage others by sharing their stories.ÂÂ
     I just hope that as the community develops and more people move in, a competition doesn’t evolve of who can be the most missional, the most insightful, the most contemplative.ÂÂ
For what it’s worth, that’s my thought for the day.
    I saw “End of the Spear” this evening with my wife. The story centers around the slaying of five American missionaries speared to death by the Waodoni tribe in 1956 Ecuador. The victims’ families travel to Ecuador to meet the tribesmen. The picture centers around Mincayani, who becomes a grandfather figure to the family of one of his victims. 